Grundik and Slava, the highly respected and fruitful duo that originated in Israel in 1994, currently share their time navigating their music between Israel and New York. On Frogs, they benefit from the undeciphered vocals of Victoria Hanna (at times whispering in a Gilli Smyth manner), and some bass work by Kruzenshtern & Parohod’s Igor Krutogolov; but most of all they rely on their own vision and their own means (such as computer, guitar, drum machine and field recordings, not to forget their skills) to execute it.
Frogs is to electronic music what Egberto Gismonti’s Danca Das Cabecas (1977) is to jazz and Peccatum’s Lost in Reverie (2004) is to metal: a journey that stretches beyond the boundaries of a genre, avoiding preconceived limitations and definitions, and bridging between the tangible and the metaphysical, while navigating between the structured and unstructured.
The music presented here is a carefully unfolding organic adventure with its background and foreground merging into a single entity, making each listening equivalent to a trip in wild nature, ranging from the tribal and eerie to the meditative and relaxing, and with so much finesse that it can only be partially absorbed on each trip; hence, remaining fresh with every listen.
Frogs is one of the most articulate electronica offerings I have ever heard, and a must have for anyone with even a mild interest in avant-garde electronica that is completely free of commercial considerations. (9.5/10)Тэги записи: kunstkamera: reviews and interviews