Part organic ambient excursion, and part country lullaby, this album (of which I have an advance, and most likely incomplete, copy) has really grown on me since the first time I heard it. Utilising electronic instruments, “sound objects,” harmonium, and vocals; Grundik & Slava have really created some beautiful music of startling complexity. Sometimes, it…
Split with Ambidextrous (FACTDUCK CD001, 2003): 01. Opaque, 02. 23 (remix), 03. Visotopia (remix), 04. The Pulp Sky, 05. Mxosea, 06. Nine Loops, 07. Antimatter (remix), 08. Klik Klak (remix), 09. Us Or Them
Review of grundik + slava / ambidextrous :: split
The STATEART 20/20 1SA: What is your idea of perfect happiness? Stay alone with my girlfriend long enough, because she always has to run somewhere. 2SA: Which historical figure do you most identify with? I don’t really identify with any one historical figure. 3SA: Which person (living or dead) do you most admire? I admire…
23.02.03-29.03.03 “A Pattern In Time”, audio installation. Digitalis 2: The Spiritual in Digital Art exhibition. The Evergreen Cultural Centre, Coquitlam, British Columbia, Canada Тэги записи: installations and other projects, kunstkamera: concerts
Sound editing by Grundik for the documentary film XXI Century, directed by Gabriele Zamparini. This film got the Audience Award for the best TV series at Documenta Madrid – sound editing . Тэги записи: kunstkamera: awards, kunstkamera: films
23.12.02 “…for electronics and birds”: screening of spontaneous ink drawings, live electronic music and birdcalls. Performed by Alona Sosinsky, Grundik Kasyansky and a bunch of birds. Galapagos Art Space, 70 North 6 Street, Brooklyn New York Тэги записи: installations and other projects, kunstkamera: concerts
22-29.11.02 Our works (Sick Doll/Doll’s Burial, La boite a musique 1, The Symmetrical Jukebox) will be presented at Pixxelpoint 2002, International Computer Art Festival, Nova Gorica, Slovenia The jury of Pixxelpoint 2002 decided to award the first prize to our work Sick Doll / Doll Burial… “Compositional congruity and idea, counter point and the innovative…
Тэги записи: installations and other projects, kunstkamera: concerts, kunstkamera: photos, kunstkamera: reviews and interviews
В 1928 году психолог Клара Дэвис провела эксперимент, в котором новорожденные младенцы кормились только по своему желанию. Никаких “ложка за маму”. Не желает есть манную кашу? И не нужно. Приходится по вкус ему яблочное пюре? Пускай кушает пюре. Полная независимость выбора. Когда эксперимент закончился, Дэвис подвергла рассмотрению вкусовые предпочтения малюток, и заметила, что питание у…